Saturday, 7 February 2026

GENERATION GAMES Pt III: THE REVENGE

Nine years ago, in the immediate aftermath of yet another British general election that left everyone claiming victory while secretly nursing a hangover, I penned a modest manifesto on behalf of my fellow travellers in Generation X. We were, I declared with the breezy confidence of a man who had just discovered that his mortgage was slightly less ruinous than expected, the overlooked middle child of history: industrious yet playful, cynical yet optimistic, the generation that invented the internet only to watch everyone else monetise it. 

We had, I argued, the best of both worlds — the Boomers’ work ethic without their nostalgia for ration books, the Millennials’ tech-savviness without their conviction that a strongly worded hashtag constitutes civic engagement. While the old and the young squared up to each other like rival stag parties in a provincial nightclub, we — Generation X — would quietly get on with saving the world. And, I added with a flourish, we would do so without expecting anyone to pick up the bill for both sides’ mistakes. How young I was then. How touchingly naïve. I return to the subject now, in the chill opening weeks of 2026, prompted by a post on what we must still call Twitter — or X, if one wishes to sound like a failed Bond villain — from a Canadian observer who has articulated, with admirable economy, the quiet despair that has settled over my cohort like a damp North Atlantic fog. “Gen X lived, and will die, in the shadow of the Boomers,” he wrote. “We’ll never really get our turn. They’ll still outvote us for another 10 to 15 years, and when they’re gone, Millennials and Gen Z will take over right where they left off. Gen X will never truly have a say. That’s why we’re pissed.” 

One does not need to be Canadian to recognise the sentiment. One merely needs to be alive, solvent, and born between, roughly, 1965 and 1980. The numbers, those remorseless actuaries of human ambition, are unambiguous. The Baby Boomers — that vast, echoing cohort born in the afterglow of victory and penicillin — continue to dominate the electoral rolls with the serene implacability of a herd of elderly elephants refusing to yield the watering hole. Higher turnout among the over-55s, a phenomenon as predictable as the tide, ensures that their preferences — lower taxes on pensions, higher spending on healthcare, and a vague suspicion of anything invented after the compact disc — remain the default setting of democratic politics. 

Meanwhile, the Millennials and their younger siblings in Gen Z, armed with the megaphone of social media and the moral certainty of people who have never known a world without Wi-Fi, are already queuing impatiently at the stage door. And there we stand, Generation X, in the wings, clutching our dog-eared scripts and wondering whether the director has forgotten we exist. It is not merely a matter of demographics, though demographics are cruel enough. In Britain, as in Canada and much of the Anglosphere, the Boomers’ numerical advantage, combined with their enthusiastic participation in the democratic process, has kept the political conversation anchored in the late twentieth century. We are governed, to a remarkable degree, by people who came of age when the Berlin Wall was still standing and the threat of nuclear annihilation lent a certain urgency to one’s choice of hairstyle. Even when the faces change, the assumptions remain: property is the only reliable store of wealth, the welfare state must be preserved in amber, and the young should jolly well stop complaining and get on with it, just as we did.

Yet the young, bless their cotton socks, have no intention of getting on with it. They have discovered the novel expedient of voting in large numbers for parties that promise to redistribute the remaining assets of the middle-aged downwards, ideally before the middle-aged have finished paying off their student loans from the 1990s. The result is a pincer movement of rare elegance: the Boomers guarding the past, the Millennials seizing the future, and Generation X compressed in the middle like a forgotten slice of processed cheese in a gourmet sandwich. One might have expected, back in 2017, that our moment would arrive naturally. After all, we were entering our prime earning years, our cultural references were suddenly retro-chic, and our leaders — Trudeau in Canada, Macron in France, even our own fleeting experiments with middle-aged competence — were beginning to appear on the world stage. Surely, I thought, the Boomers would eventually retire to their cruises and their conservatories, leaving us to impose a sensible, ironic order on the proceedings.

Alas, biology is not so accommodating. Advances in medicine — many of them, ironically, developed by Gen X scientists who grew up watching too much Star Trek — have extended Boomer lifespans to the point where actuarial tables now resemble optimistic science fiction. They are not merely living longer; they are voting longer. And when, eventually, the inevitable actuarial correction arrives, the stage will not be cleared for us. It will be occupied by a generation that has grown up believing that disagreement constitutes violence and that the primary function of government is to validate one’s identity. 

There is, I confess, a certain comic symmetry to our predicament. We who prided ourselves on our independence — latchkey children who learned to microwave our own dinners while our parents pursued self-actualisation — now find ourselves permanently supervised. We who mocked the Boomers’ nostalgia for the post-war consensus are now nostalgic for the 1990s, when house prices were merely extortionate rather than hallucinogenic. We who once dismissed Millennials as fragile now watch them reshape institutions with the serene confidence of people who have never been told no. Some insist that we have only ourselves to blame: we raised Gen Z, and must therefore accept responsibility for their more exotic pronoun preferences. A few cling to the hope that longevity research will keep us around long enough to enjoy the fruits of our own ingenuity, like elderly rock stars refusing to leave the stage after the encore.

All of which is true, yet none of it alters the central fact: we are the intermission generation. Our cultural contributions — grunge, Britpop, the first tentative steps toward a digital world — have been absorbed and commodified by others. Our political leaders, when we produce them, are swiftly co-opted into the prevailing orthodoxies of left or right. Our characteristic stance — sceptical, self-deprecating, allergic to ideology — is precisely what renders us unfit for power in an age that demands absolute conviction. There is, perhaps, a bleak consolation in this. While the Boomers and Millennials engage in their interminable culture war, each convinced of their own moral superiority, we remain free to observe the spectacle with the detached amusement of the true cynic. We know how these stories end: the Boomers will eventually depart, taking with them their encyclopaedic knowledge of the Beatles’ B-sides; the Millennials and Gen Z will inherit a world they believe they invented; and somewhere in the middle, a small cohort of middle-aged people will continue to fix the Wi-Fi, pay the taxes, and occasionally permit themselves a wry smile at the absurdity of it all.

In 2017, I concluded with the hopeful assertion that Generation X had this in hand. Today, with the wisdom of added years and subtracted illusions, I revise that verdict. We never had it in hand. We were merely passing through, briefly illuminated by the stage lights before the next act began. And yet, in our quiet, sardonic way, we endure — the only generation capable of laughing at its own irrelevance. That, at least, is something the others cannot take from us.

Friday, 6 February 2026

THE PEN-IS MIGHTIER THAN THE SKI

In the annals of human sporting endeavour, few spectacles have matched the Winter Olympics for their blend of poetic grace and brute athleticism. The ski jumper, for example; hurtling down a ramp at speeds that would make a Formula One driver blanch, then launching into the void like a particularly elegant exoset missile. It’s the closest thing sport has to ballet performed at terminal velocity. One watches, transfixed, as these lithe figures soar, arms outstretched, bodies perfectly aligned with the merciless dictates of physics. And one thinks: here, at last, is purity. Here is man in harmony with the elements. Or so one thought, until the International Ski Federation (FIS), in its infinite wisdom, decided to measure the athletes’ crotches.

I read the report in the BBC with the sort of slow, dawning incredulity usually reserved for discovering that a trusted friend has taken up taxidermy. Apparently, the regulations governing the tightness of ski suits are now so precise that a mere extra centimetre of fabric in the groin area can confer a decisive aerodynamic advantage. And how, pray, does one acquire that extra centimetre? Why, by the judicious application of hyaluronic acid – the very same substance that keeps certain Hollywood actresses looking permanently astonished – injected directly into the penis. Temporarily, of course, you wouldn’t want a permanent handicap when the season ends and you return to civilian life.

The mind reels. One pictures the scene: a clinic in Ljubljana or Zakopane, all tasteful Scandinavian pine and soft lighting, where the elite of Nordic combined queue in dignified silence. “Just the usual winter top-up, doctor,” murmurs the Norwegian champion, lowering his tracksuit bottoms with the stoicism of a man facing a tax audit. “Make it the full Olympic package this year – I’m feeling patriotic.” Naturally, the authorities are shocked – shocked! – to learn that anyone might exploit this loophole. The president of the World Anti-Doping Agency, a Pole (which feels somehow appropriate), promises to “look into it.” One suspects he will look into it with roughly the same urgency that the College of Cardinals once applied to Galileo’s heliocentric nonsense. Meanwhile, the FIS continues its solemn ritual of scanning athletes in tight underwear, measuring “crotch height plus three centimetres,” as though they were tailors fitting a particularly demanding aristocrat for morning dress.

There is, I suppose, a certain grim logic to it. Sport has always been about finding an edge, however marginal. Cyclists shave the hair from their bodies; swimmers wear suits that cost more than a small car; bobsleigh teams employ aerodynamics engineers to reduce drag by fractions of a second. Why, then, should the male appendage be exempt from the march of progress? In an age when every bodily function is optimised, monetised and Instagrammed, it was only a matter of time before the penis entered the realm of performance enhancement. One simply didn’t expect it to happen in ski jumping, a discipline previously associated with stoical Scandinavians and the occasional plucky Brit who finished last but became a national treasure.

Still, one can’t help feeling a pang of nostalgia for the old days, when cheating was cruder and more honest. A bit of cork in the baseball bat, a dab of Vaseline on the cricket ball, a sly blood transfusion in the motorhome – these had a certain artisanal charm. Now we have entered the era of boutique genital modification, administered by qualified cosmeticians between training sessions. Next year, no doubt, the women will discover some equivalent tweak – perhaps a subtle mammalial adjustment for improved airflow – and parity will be achieved. The Olympic motto will need updating: Citius, Altius, Fortius… et Crassius. I confess I shall watch the Milan-Cortina Games with a new, slightly queasy fascination. Every time a jumper achieves extraordinary distance, one will wonder: is this the triumph of human spirit, or merely the triumph of hyaluronic acid? When the medals are handed out, will the podium feature the traditional bouquet, or a discreet voucher for a top-up before the next World Cup?

Perhaps I am being unfair. Perhaps this is simply evolution in action: man adapting to the rules he himself has written, pushing the boundaries of what the human body – and the human imagination – can achieve. All the same, I find myself longing for the simpler pleasures of sport. Give me a rugby match in the rain, where the only injection is a painkiller in the backside, or a Test cricket series where the greatest scandal is a bit of sandpaper in the pocket.

As for ski jumping, I fear its days of innocence are over. From now on, when those graceful figures soar through the alpine air, a small, treacherous part of the viewer’s mind will whisper: nice technique, but how’s the girth? And the poetry will be gone, replaced by something altogether more prosaic. Ah well. Plus ça change, plus c’est la même chose – only with better needles.

Wednesday, 4 February 2026

JOHN VIRGO (1946 - 2026): AN OBITUARY

John Virgo, who has left the green baize aged 79, was the snooker professional whose greatest talent lay not in potting the black but in impersonating those who could. In a sport that prides itself on monastic silence and geometric certainty, Virgo brought the music-hall tradition of the cheeky interjection, and for that alone the gods of baize should be grateful.

Born in Salford in 1946, at a time when the city’s chimneys still outranked its crucibles, Virgo discovered snooker in the kind of smoky working-men’s clubs where the air was thick enough to cushion a miscue. He turned professional comparatively late, at thirty, and promptly announced himself by winning the UK Championship in 1979, dispatching Terry Griffiths in the final with the calm assurance of a man who knew the table better than his opponents knew their own nerves. That same year he reached the World Championship semi-finals, only to be halted by Dennis Taylor. Thereafter the major titles eluded him, as they elude most, but Virgo never allowed mere statistics to cramp his style.

His true métier emerged when the cue was laid aside and the microphone taken up. On Big Break, that improbable 90's confection hosted by Jim Davidson, Virgo performed trick shots and impressions with the timing of a born comedian. His Alex Higgins was uncannily wild-eyed; his Steve Davis a study in robotic precision. Viewers who had never previously cared about snooker found themselves oddly charmed by a man who treated the green baize as a stage rather than an altar.

As a BBC commentator he became an institution, his voice a mixture of Lancashire vowels and delighted astonishment. “Where’s the cue ball going?” he would cry whenever physics took an unexpected holiday, a question that summed up both the drama of the shot and the essential absurdity of human endeavour. For thirty years he supplied the soundtrack to countless Crucible epics, never quite impartial, always unmistakably himself.

Off the table, life was less straightforward. Gambling took its toll; marriages came and went; a house was repossessed. Yet Virgo retained the performer’s instinct for recovery, emerging with an autobiography whose title, Say Goodnight, JV, carried the wistful shrug of a man who had learned to live with the rebound. In the end, snooker owed him a debt it can never fully repay: he reminded a solemn sport that laughter is not a foul but a safety. The table is quieter now. Somewhere, though, the cue ball is still going – and we know exactly who is asking where.