Monday, 14 February 2022

ANNUAL RANT ABOUT THE 14TH OF FEBRUARY ...

The 14th of February, or Valentine's Day as it's known in these parts, rolls around with all the subtlety of a sledgehammer in a china shop. Here we are, again, in the midst of what I can only describe as a commercial carnival masquerading as romance.

Ah, love, they say, is in the air, but if you ask me, it smells more like the cheap scent of last-minute panic purchases from the corner shop. The supermarket shelves, once stocked with the dignity of ordinary goods, now buckle under the weight of heart-shaped chocolates, roses in their dying throes, and those dreadful teddy bears, their eyes wide with the horror of their own existence.

It's the day when every card shop turns into a den of saccharine sentimentality, where verses are so saccharine they could give you diabetes just by reading them. "Roses are red, violets are blue," indeed. It's as if the art of expressing affection has been reduced to a nursery rhyme, a rhyme so basic that even the most linguistically challenged could recite it.

The pressure to conform, to perform the act of love, is palpable. Couples, young and old, are herded into restaurants where they pay through the nose for the privilege of dining under the scrutinise gaze of other couples, all wondering if they're doing love correctly. Singles, meanwhile, are reminded of their solitude not by the stars but by the relentless barrage of marketing emails, all screaming, "You're alone, but hey, here's a deal on chocolate!"

What has become of us, I ask? This day, meant to celebrate love, has morphed into an exercise in consumerism, where the measure of affection is not in kind words or gentle deeds but in the thickness of one's wallet. The genuine sentiment is drowned out by the cacophony of cash registers, each ring a reminder of how love has been commodified.

I remember when love was not a spectacle but a quiet understanding, a look, a touch, a shared silence that spoke volumes. Now, it's all about the spectacle, the show, the public declaration, as if love could not exist unless broadcasted on social media or sealed with an overpriced gift.

So, here's to you, Valentine's Day, a day that has lost its way in the maze of modern marketing, where love is less a feeling and more a transaction. But perhaps, in the quiet aftermath, when the gaudy decorations are taken down, and the last of the heart-shaped candies are eaten, we might remember what this day was supposed to signify: a simple, sincere expression of affection, unadorned by the trappings of commerce.

Until next year, when we'll all be fooled again by the promise of love wrapped in the glitter of capitalism. 

Friday, 4 February 2022

ANOTHER BRICK IN THE (RED) WALL

In the land where the Black Country merges into the vast sprawl of Brum, where the canals cut through industrial scars like the lines on an old man's face, there sits a political fortress, or what remains of it – The Red Wall. It's a term that has, in recent years, become as resonant as the clank of the anvils that once thundered through these parts, but now, it's more like the echo of bygone days.

The Red Wall, once as solid as the bricks of the factories that belched smoke into the grey skies, has begun to show cracks, chinks, and fissures. It's as if someone has taken a chisel to it, not with the intent to restore but to demolish. And who holds the hammer? Well, that would be none other than the Conservative Party, led by the likes of Boris Johnson, whose hair is as chaotic as the political landscape he's helped to create.

This wall, a symbol of Labour loyalty, particularly in the heartlands of the Midlands and the North, has seen its stones dislodged in the most recent general election. Seats like West Bromwich, once as reliably Labour as the sunrise, have turned blue, a hue as shocking to the local Labour stalwarts as a sudden clear sky on a Birmingham morning.

The strategy was cunning, employing the kind of political engineering that would make Brunel nod in approval from his grave. The Conservatives, with their "levelling up" rhetoric, promised not just to mend the social fabric but to weave it anew, with threads of opportunity and development. It was a siren song to those who felt left behind in the post-industrial wake, a melody of change that resonated with the clang of new promises.

But let's not be naïve about the motivations. This isn't just about reviving the spirit of the regions; it's about power, about securing the votes in places where Labour once thought they were untouchable. The irony is that the very bricks of this wall, once set with the mortar of working-class solidarity, are now being prised apart by those same hands, albeit under different banners.

The question that lingers in the air, thicker than the smog of old, is whether this shift is a mere political tremor or the beginning of an earthquake. Will the Red Wall rebuild itself, perhaps with new materials, or will it crumble under the weight of its own history? For now, the battlements are quiet, the banners of old have been lowered, and the new standard bearers are making their presence felt. Yet, there's an underlying current here, a narrative of change that might just be as ephemeral as the promises made in the heat of an election campaign. 

The Red Wall, like the city of Birmingham itself, is in a state of flux, caught between its past and an uncertain future. And as any Brummie will tell you, it's not just about laying another brick; it's about what you build with them. 

So, here we stand, watching the wall, pondering not just the masonry but the very foundation of our political landscape, wondering if the next brick laid will be one of many or the last in a long line.

Tuesday, 1 February 2022

LET'S GO BRANDEAU !!

Ah, the frozen North, where the land is as vast as the silence between the trees, and the winter's chill bites deeper than political satire on a Monday morning. Here in Canada, we have a new chant on the lips of the disgruntled: "Let's Go Brandeau!" A cheeky twist on "Let's Go Brandon," this little ditty has become the anthem of those who find themselves at odds with the authoritarian leanings of one Justin Trudeau, the Prime Minister with the charisma of a wet mop.

Trudeau, who seems to have taken a page from the playbook of dictators rather than democrats, has recently invoked emergency powers with the grace of a bull in a china shop. His aim? To quash protests that don't dance to his tune, particularly those pesky truckers who dared to disrupt the quiet order of his mandates. It's like watching a student council president from high school suddenly find himself with the keys to the kingdom, only to use them to lock everyone out.

The internet, that great equalizer of truth and tomfoolery, has been abuzz with memes, some of which have suggested, quite humorously, that Trudeau might be the love child of Fidel Castro. The Associated Press and The New York Times, with the solemn duty of fact-checkers, have denied this claim, but one does wonder if the laughter isn't louder than the fact-checking. After all, who wouldn't enjoy the irony of a supposed Castro scion leading Canada?

This week, Trudeau has shown us all his inner Castro, or perhaps it's just the cold making him cranky. He's shut down dissent with the same zeal one might expect from a man who's just discovered the power of the mute button during a particularly contentious family dinner. The truckers, those modern-day Paul Reveres, have been met not with applause but with the cold steel of emergency legislation, suggesting that perhaps in Trudeau's Canada, freedom is just another word for nothing left to lose.

The memes fly, the protests mount, and one can't help but think of the absurdity of it all. Here we are, in a country where politeness is traditionally the national sport, now witnessing a government that seems to prefer the authoritarian playbook over the hockey stick. 

So, as we watch this drama unfold, one can only hope that the spirit of Canadian resilience, much like its winters, will outlast this political frostbite. For now, though, "Let's Go Brandeau" rings out, a call not just for the resignation of a man but for the reclamation of a country's soul from the icy grip of overreach. 

Let's hope that when the spring thaw comes, it brings with it not just warmer weather but a return to the warmth of democratic discourse. Until then, we'll keep our toques on and our spirits high, for in Canada, even the coldest of winters eventually gives way to the promise of renewal.